by Paul Westman
A February 4 New York Times dispatch by Sharon Waxman (Jewish, part Jewish, or shiksa married to a Jew, judging by her name) titled “Gibson to Delete a Scene in ‘Passion,’” (may require registration) starkly reveals just how far from historic Christianity director Mel Gibson has been compelled to move under relentless Jewish/Establishment censorship. According to an anonymous Gibson associate, the filmmaker has quietly removed from The Passion of the Christ the scene “in which the Jewish high priest Caiaphas calls down a kind of curse on the Jewish people by declaring of the Crucifixion, ‘His blood be on us and on our children.’”
“Mr. Gibson was the co-writer, director, producer and financier of the $25 million film, which will be released in more than 2,000 theaters on Feb. 25, Ash Wednesday.” (In related news, AMC Theaters, a subsidiary of Kansas City, Missouri-based AMC Entertainment, Inc., has censored an ad for the film produced by an association of 5,700 Texas Baptist churches. The Baptists “followed all their regulations: not using Jesus, Bible or any other overt God talk. We do not use religious symbols or icons. We do not attempt to use guilt or other things that might appear to be judgmental or proselytizing”—and also paid a Jew to make and direct the ad! You gotta do better than that, Whitey, to win your masters' favor!)
Jewish racist Abraham Foxman, head of the all-powerful ADL, dictated a postscript he demanded Gibson append to his film. Although Gibson apparently has not (yet) obeyed, he responded in a letter to the enemy of free speech: “I hope and I pray that you will join me in setting an example for all of our brethren; that the truest path to follow, the only path, is that of respect and, most importantly, that of love for each other despite our differences.”
Predictably, Gibson received a wad of Jewish spittle in the face for his trouble. Foxman, with inimitable arrogance and contempt, responded: “[Y]our words do not mitigate our concerns about the potential consequences of your film — to fuel and legitimize anti-Semitism.”
Foxman and fellow thug Rabbi Marvin Hier, head of the racist Simon Wiesenthal Center, another organization devoted to destroying Whites’ fundamental human rights of citizenship, speech, and association, also attacked Gibson for remarks he made to Republican columnist Peggy Noonan:
I have friends and parents of friends who have numbers on their arms. The guy who taught me Spanish was a Holocaust survivor. He worked in a concentration camp in France. Yes of course. Atrocities happened. War is horrible. The Second World War killed tens of millions of people. Some of them were Jews in concentration camps. Many people lost their lives. In the Ukraine several million starved to death between 1932 and 1933. During the last century 20 million people died in the Soviet Union. The powerful Hier said in a letter to Gibson: “We are not engaging in competitive martyrdom, but in historical truth. To describe Jewish suffering during the Holocaust as ‘some of them were Jews in concentration camps’ is an afterthought that feeds right into the hands of Holocaust deniers and revisionists.” To Waxman he said, “I think he was lobbed an easy question [by Noonan—clearly Hier is right: the blonde Bolshevik was shilling for Jewry when she demanded: “You're going to have to go on record. The Holocaust happened, right?”]. He could've used the occasion to take us on a different road, instead he marginalized the Holocaust, he diluted its significance, and it's a lie. Either he is very ignorant of sensitivities in Jewish communities of riling survivors, those who have lost loved ones, or he is doing it deliberately.”
Foxman, meanwhile, belittled and marginalized the deliberate murder by famine of millions of Ukrainians by Communists led by Lazar Kaganovich and other Jews: "And you know what? He doesn't get that either. He doesn't begin to understand the difference between dying in a famine and people being cremated solely for what they are."
This is consistent, of course, with the Jewish mentality that only Jews matter, and any crimes against humanity they commit, no matter how hideous, are meaningless at best and virtuous at worst.
Gibson’s Jewish spokesman, Alan Nierob (who elsewhere describes Gibson as being “as mensch as they get”), said, “There's no doubt in my mind that not only does [Mel] know the Holocaust and acknowledge it, he has shed tears over it, with me.”
Reporter Waxman has viewed a cut of the film. She describes scenes in which Jewry is presented—Biblically, I might add—as screaming for Jesus’ crucifixion, while Roman leader Pontius Pilate is (again, accurately) portrayed “as being reluctant to harm Jesus.” Waxman hints that Gibson might have subsequently Judaized these scenes as well.
Gibson’s concessions are indicative of two things.
First, organized Jewry is a totalitarian force that no White, regardless of how much wealth, fame, or success he has, can possibly stand against. It is akin to a burly Mike Tyson in his prime beating a 5-year-old boy to a pulp with every ounce of force he employed against his heavyweight opponents. It is no match at all. (Tyson obviously did not do this. I am utilizing a hypothetical analogy.) Already in the 1920s Jewry was so powerful that it could quickly silence a very stubborn and determined Henry Ford (the automotive magnate and publisher of the classic The International Jew [note: this is an online version of the complete 4-volume edition, far superior to the 1-volume abridgment that has been around for years; the 4-volume edition is the one to read and own--the print version is highly recommended]), one of the richest and most respected men of his time. (Ford’s reputation in the public mind underwent a “mysterious” 180-degree shift thereafter.)
The second thing this demonstrates is that even so-called “Christians,” in their heart of hearts, do not really believe the Bible is the Word of God. “Christians,” as much as Jews, believe not only that “Jesus was a Jew,” but that Jews themselves are one half of a dual (not Trinitarian) God.
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